Critical hope is not something you have; it’s something you practice
by Keith Edwards Lessons from Critical Hope

Culture Reimagined: The Digital Multiverse

Traditionally, culture has been seen as the shared practices, values, and artifacts that define communities. However, the advent of digital technologies has expanded this definition, introducing a fluid and decentralized understanding of culture. In the digital realm, cultures exist not as monoliths but as pluralities, overlapping and interacting across geographies, ideologies, and temporalities.

Digital platforms host countless subcultures, from niche online communities to global movements, each shaping and reshaping norms in real time. This plurality challenges us to ask: What does culture mean in a world where the digital enables both homogenization and diversification?

The course of examining digital cultures has taught us to think critically about these paradoxes. It has become clear that digital cultures are not singular but a complex interplay of pasts and futures, where historical contexts inform emerging trends and technologies.

The Material and Temporal Fabric of AI

Artificial intelligence epitomizes the material and temporal dualities of digital cultures. On one hand, AI technologies are embedded in physical infrastructures—data centers, hardware, and energy-intensive processes. On the other, they are temporal constructs, trained on vast datasets representing snapshots of human activity across time.

This duality underscores the environmental and ethical challenges of AI. The extractivist nature of digital technologies relies on finite resources, from rare earth minerals to the electricity powering server farms. Each swipe, search, and stream carries an environmental footprint. Research on the environmental impact of the digital sector illuminates this stark reality, urging us to rethink the sustainability of our digital habits.

At the same time, AI forces us to grapple with temporalities: How does training AI on historical data reinforce biases of the past? Can we design systems that not only reflect human diversity but also anticipate equitable futures?

Solutionism in a Polycrisis

Digital cultures thrive in an age of polycrisis—a state where multiple crises (climate change, social inequality, political instability) intersect and compound. Here, digital solutionism—relying on technology to solve complex problems—becomes both a promise and a pitfall. While digital platforms democratize access to information, they can also deepen surveillance, data extractivism, and algorithmic bias.

The state of emergency that defines a polycrisis requires moving beyond solutionism to embrace critical design approaches. These approaches encourage designers, technologists, and policymakers to engage deeply with the socio-political contexts of their interventions.

As we navigate the complexities of digital cultures, one lesson stands out: there are no singular solutions or narratives. The plurality of digital cultures reflects the diversity of human experience, demanding that we approach technology with humility, curiosity, and a commitment to equity.

Digital Cultures and Social Impact

The social impact of digital cultures extends beyond individual behavior to reshape entire societal structures. Online platforms have become modern-day agoras, where ideas are debated, identities are forged, and power is contested. Yet, these platforms are also arenas of polarization, misinformation, and commodification.

Critical design practices offer a way to address these challenges by fostering spaces for dialogue, experimentation, and critique. For instance, speculative design projects can imagine alternative futures, challenging dominant narratives and opening pathways for more inclusive digital cultures.

Critical Design Lab reflections: Asking Better Questions

In the final segment of the Digital Culture(s) course, we delved into mental exercises to probe the concept of design fiction and our prospective roles in it. My team members, Luisa Torres and Lakshmi Narayanan Vadamalai Kannan, and I crafted a near-future narrative centered on a fictional character named Liam, residing in New York. The story unfolds on his laptop screen, depicting a future where Liam engages with Alex/a, an AI from which he buys moods according to his emotions. In this envisioned near-future, individuals have the ability to monetize their data and use the accumulated capital to purchase moods, emotions, and mental states, all through a chatbot that is, naturally, susceptible to errors.

The video serves as an experimental take on desktop cinema to represent design fiction and is accessible here.

Concurrently with the Critical Design Lab, we conceptualized a bizarre bazaar: a temporary exhibition of the absurd. My journey through digital cultures has enlightened me that solutions often emerge from the questions posed. Whom are we designing for? How will design manifest in the near future? What influence do our digital personas have? How do the decisions of today shape our tomorrow?

The bizarre bazaar’s offerings include a collection of fictitious product solutions for daily challenges, such as a device that turns your personal data into a digital asset or a nocturnal apparatus that configures your emotional state for the following day. This is all driven by a novel digital currency: data monetization as currency, transferring economic control from corporations to individuals.

Bizzare bazaar: in progress
Bizzare bazaar: in progress
Bizzare bazaar: in progress

Throughout the course on Digital Culture(s) these questions challenged me to move beyond simplistic narratives and embrace the complexity of digital cultures. In doing so, it is possible to imagine futures where technology serves as a tool for collective flourishing rather than a driver of division and depletion. There is no discussion on future of the digital without intertwined dimensions of materiality, temporality, and social impact. By acknowledging the environmental costs of our digital lives, fostering critical design approaches, and embracing the multiplicity of cultures, we can begin to address the urgent challenges of our time.