The seminar involved analyzing texts to extract and interpret a key term, then creatively visualizing this concept through the blending of urban textures and landscapes, crafting surreal cityscapes that reflect the nuanced meanings of these terms.

The texts explored the themes of:

  • CLIMATE JUSTICE
  • URBAN MEDIA
  • URBAN TECHNOLOGIES

Urban Resilience

Definition: The capacity of urban areas to adapt to crises, focusing on socio-economic and racial inequalities, environmental threats, and infrastructure renewal. It emphasizes reactive strategies for maintaining viability and governance, prioritizing adaptation over proactive planning.

TEXT: S. WAKEFIELD, ”CRITICAL URBAN THEORY IN THE ANTHROPOCENE”

The image results from blending an aerial view of Miami Beach with a texture of limestone dissolving in water. It reflects the imminent situation of Miami, a city that has resiliently withstood various disasters.

Political Ecology

Definition: A field of study examining the interplay between social dynamics and environmental changes, focusing on urban climate responses, influenced by social institutions and global capitalism. It integrates urbanisation analysis, environmental concerns, and sociopolitical structures to address ecological and justice issues.

TEXT: KIAN GOH, “CLIMATE JUSTICE AND URBAN FUTURES”

The image results from blending an AI-generated aerial view of Manhattan with an image showing the aftermath of Hurricane Sandy. It highlights the damage caused by major natural disasters and how such events predominantly affect the low-income sections of society, as can be inferred from the housing seen in the urban neighborhood.

Blasé Attitude

Definition: An adaptive indifferent response manifested by urban dwellers in response to the overwhelming variety and intensity of metropolitan stimuli, leading to a perception of homogeneity and lack of distinction among experiences. This attitude emerges as individuals adjust to urban life, resulting in a diminished responsiveness to and interest in their surroundings.

TEXT: GEORG SIMMEL, “METROPOLIS AND MENTAL LIFE”

The image reimagines the New York skyline (as seen in the opening scene of ‘The Joker’), using AI to reflect how a city’s character can shape dark personalities, as shown in the film. It features a stark variation in the main street, along with a subtle interplay of warm tones against cool backgrounds, suggesting the city’s varying impact on an individual.

Simulacrum

Definition: A precise replication that challenges distinctions between authenticity and imitation. It affects the perception of cultural and historical authority, turning traditions into marketable commodities. Simulacra blur the lines between reality and imitation, prompting reconsideration of originality and impacting cultural understanding.

TEXT: DAVID HARVEY, “TIME-SPACE COMPRESSION AND THE POSTMODERN CONDITION”

The image reimagines an already altered aerial shot of Shanghai, featuring the Eiffel Tower standing tall in its skyline, clearly embodying the concept of simulacrum.

Ironic Political Myth

Definition: A narrative framework advocating feminism, socialism, and materialism, challenging traditional political unity methods by highlighting ideological contradictions. It promotes hybrid, non-hierarchical organization and nuanced, complex engagement, and advocates socialist-feminist change.

TEXT: DONNA HARAWAY, “CYBORG MANIFESTO”

The image made using a blending technique shows a vision of a cyborg future overlapped on the urban plan of New Delhi. The depiction of a cyborg-urban landscape reflects the concept of an ironic political myth.

Gender Abolitionism

Definition: A transformative principle advocating for transcending traditional gender norms, by dismantling societal and power structures enforcing gender roles. It envisions a society free from gender-based power imbalances, intersecting with broader anti-oppression movements and challenging capitalist oppression, towards non-hierarchical governance.

TEXT: LABORIA CUBONIKS, “XENOFEMINIST MANIFESTO”

This image blends Dubai’s urbanscape to symbolize the juxtaposition of technological progress and traditional gender norms, with integrated circuit and slime mould, illustrating xenofeminism’s vision for a future where gender constraints are transcended through tech and natural inclusivity.